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I'm Charles Martin.

Charles Martin playing a synthesiser at the Drill Hall Gallery, Canberra.

I build musical instruments and open-source software that let people play music with AI in real time. My work shows how humans and AI systems can collaborate under the fast, high-stakes conditions of live performance, and turns those lessons into tools used by musicians, students and other researchers. I lead the Sound, Music and Creative Computing Lab at the ANU.

I develop musical apps such as MicroJam, PhaseRings, and IMPSY, research creative AI, and perform music with Ensemble Metatone and Andromeda is Coming.

I'm a computer scientist at The Australian National University, Canberra, where I direct the Sound, Music and Creative Computing Lab. This site collects my blog, projects, music and academic profile. Read why this work matters →

Recent Posts

Training Tutors in the College of Systems and Society, Semester 1, 2026

27 Feb 2026

I’ve just wrapped up five training sessions for around 130 tutors (small group teachers) across the College of Systems and Society: two full-day sessions for new starters and three two-hour refresher sessions for returning tutors (and there’s one extra session to come for late-comers). It’s an exhausting but rewarding process. I’ve now been reflecting on our tutor’s needs and how we can activate their knowledge and experience to provide a better student experience across our College.

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On hosting NIME2025 in Canberra

06 Feb 2026

In June 2025, I hosted the New Interfaces for Musical Expression (NIME) conference at ANU in Canberra, and served as a general chair along with Pia van Gelder from the ANU School of Art and Design. In this post I want to talk a bit about the kind of conference we produced, discuss (brag about) what we achieved and thank everybody who contributed. Along the way, I have images from a few conference highlights.

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